As we venture into the final part of my three-decade journey as an artist, the 2010s stand out as a period marked by significant transitions, not least of which was embracing motherhood alongside my artistic pursuits.

Post-Masters, the immediate challenge was to establish myself further. I set up my first studio at Farnham Maltings, a humble beginning with a modest space. This was the launching pad for approaching galleries and showcasing my work nationwide. The response was positive, and soon I was juggling shows, honing my skills, and immersing myself in the evocative interplay of light and landscape.

Then came 2010, a milestone year where motherhood intertwined with my art. Balancing the roles of mother and artist was challenging yet enriching. It brought a new dimension to my work and life. Motherhood didn't halt my journey; rather, it added layers of depth and perspective to my art. Credit and thanks absolutely must be given to my mother, who we all know and love as Nanna — her unwavering encouragement and support ensured that my commitment and drive as an artist never faltered.

Living in the south coast of England, surrounded by stunning woodlands and coastlines, became a constant source of inspiration. My studio visits became more frequent, and the local landscapes began influencing my work profoundly. The beautiful interplays of light and cloud formations over West Wittering became a focal point in my paintings, reflecting my deep connection with my surroundings.

Open Studios became a significant part of my life during this decade. It was a fantastic opportunity to engage with the community, share processes, and learn from others. I found it both fascinating and inspiring to be part of this vibrant artistic community, where both seasoned and budding artists came together.

Digital marketing platforms like Facebook, Instagram, and my website opened up new possibilities and truly helped me to find and nurture people who were supporting my work. They became crucial tools in maintaining visibility and engagement with my audience.

Reflecting on these three decades, I realise it's a continuous learning curve. There's always more to explore, more techniques to master, and more landscapes to capture. My children, with their teasing about my obsession with clouds, are a reminder of how my passion for art permeates our family life.

To emerging artists, I say this: Work diligently, engage with your community, and never stop learning. Visit exhibitions, understand what galleries expect, and keep pushing your boundaries. Art is not just about creating; it's about evolving, both as an artist and as a person.

As I look ahead, I’m excited for what the future holds, both for my art and my journey as an artist.